Irene Wilde Presents
The Blackest Bile
Narrator’s Edition
Melancholia | Spleen | Pyrrhicae
2024
Melancholia
An artist shares intimate details regarding her disorder. Underneath a progressive pop exterior lies an authentic portrayal of a woman trying.
Released independently as Irene Wilde’s debut extended play. Melancholia sets the stage for The Blackest Bile – by providing the quicksand.
2024
Spleen
The belly of the beast. Written in the thralls of a bipolar episode, an artist draws the curtain on all things she was taught to hide.
This album is rough. And despite it feeling like a struggle to stay afloat in a thick, opaque liquid of sound, it pleads with you to try.
2026
Pyrrhicae
A woman frees herself of her own stigma as she dances around that self-hating pyre she once helped build.
Pyrrhicae is not a triumph. It is neither a joyous celebration or exclaimed epiphany. It is simply the complicated, bittersweet love story of trying. For the hope of love and life isn’t sequestered by any amount of madness.
It is here, however, we can begin again;
from Fresh on the Net | Alt Picks: Batch 600 | Paul Kerr
“Imagine Warpaint’s atmosphere stripped of its safety net and tossed into a piano-shaped firestorm. Irene Wilde’s Righteous Virtuous Woman (Friend of Mine) is a jagged, alt-pop conflagration where Tori Amos, Kate Bush and Björk trade secrets in a darkened music room. It is fierce, psychologically exposed, and utterly impossible to ignore.”
on Spleen (Narrator’s Edition)
“Irene Wilde’s Spleen (Narrator’s Edition) is not just a collection of songs, it’s a searing, diaristic excavation of a mind burdened by beauty, chaos, and deep emotional intelligence.” – Chloe Tiffin-Gearing
from An Interview with Irene Wilde
“A new album release from Irene Wilde delivers a very unique brand of honesty where she opens up on many levels and lets a lot of emotion and inner thoughts spill out for all to soak up. It is all done with a special approach and this beautiful and somewhat intense vulnerability, which I found not only touching and authentic but also addicting in a sense”